Nina Fraser
  • Work
    • 2025 >
      • encounters
      • LABECO
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collage series >
      • Circle series
      • Menagerie
      • [framing illusive]
      • ROCKS
      • Fragments
    • Print >
      • Menagerie
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  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)
Picture

encounters (encontros)
​
A collaborative drawing project - Nina Fraser & Marta Angelozzi


A salvaged root becomes a powerful metaphor for uprootedness—physically removed from its origin, but still carrying its history, form, and potential to regenerate or connect in new contexts. It speaks to the paradox of being both disconnected and still capable of forming new attachments.
Through materials that accumulate and remove, the paper is excavated and stratified, becoming a place of exchange - shaped by time, water, heat, and interaction. Mark-making becomes a trace of behaviour, a memory of an encounter that concretises the relations, dynamics and tensions between the artists and their subject matter.
Investigating questions that arise from collaborative practice, there is an inherent discomfort that is transformed into an open ended dialogue. Rhizomatic expansion defined through the process creates space for new connections, networks, and collective engagement—shaped by each artist’s position within social and relational art practices.
Picture
Installation shots, Open Studio - Marta Angelozzi,
"Invasive Species" - Air 351, Cascais, June 2025.

Picture
Picture
Process of root drawing: Graphite powder, scratching tool, 2025
Process of collaborative drawing, Roundabout.lx, 2025
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Nina Fraser

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© COPYRIGHT Nina Fraser 2025. ALL RIGHTS RESERVED.
  • Work
    • 2025 >
      • encounters
      • LABECO
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collage series >
      • Circle series
      • Menagerie
      • [framing illusive]
      • ROCKS
      • Fragments
    • Print >
      • Menagerie
  • News
  • Connect
    • Biography
    • Artist Mentoring
    • Substack
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)