Nina Fraser
  • Work
    • 2025 >
      • ENCONTROS
      • LABECO
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collage series >
      • Circle series
      • Menagerie
      • [framing illusive]
      • ROCKS
      • Fragments
    • Print >
      • Menagerie
  • News
  • Connect
    • Biography
    • Artist Mentoring
    • Substack
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)

LABECO - Cooperative Laboratory for Artistic and Ecological Practices

LABECO is an informal training framework for adults, artists, and art professionals designed to foster the acquisition of ecological knowledge applicable within the context of artistic practice workshops, with a particular focus on “priority” audiences. It is supported by the European Union and carried out by DDA CONTEMPORARY ART, in collaboration with O Gabinete De Madame Thao, based in Lisbon. It is coordinated by Constance Meffre, assisted by Melanie Degas, and by Sandrine Llouquet, assisted by Charlotte Patoux. With selected participating artists: André Almeida e Sousa, Laurent Eisler, Nina Fraser, Mélanie Métier, Aurore Pelisson & Rita Thomaz.

With visits and talks to Largo Residências, Osso Coletivo, Tinctorium Studio, Casa da Cerca - Centro de Arte Contemporânea, A Base, Stolen Books and Quinta das Relvas in Portugal, and LUMA Arles, Ateliers Jeanne Barret, Mas Baudran, Noise Paper in Marseille. 
​
Picture
Nina Fraser presenting work techniques, Largo Residencias / Jardins do Bombarda, Lisbon
Picture
Picture
Aurore Pelisson demonstation of natural dyeing methods  - Jeanne Barret, Marseille
Guided tour of gardens at Mas Baudran
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© COPYRIGHT Nina Fraser 2025. ALL RIGHTS RESERVED.
  • Work
    • 2025 >
      • ENCONTROS
      • LABECO
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collage series >
      • Circle series
      • Menagerie
      • [framing illusive]
      • ROCKS
      • Fragments
    • Print >
      • Menagerie
  • News
  • Connect
    • Biography
    • Artist Mentoring
    • Substack
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)