Nina Fraser
  • Work
    • 2026 >
      • Ghosts
      • Margins, Cuttings, Leaves
    • 2025 >
      • ENCONTROS
      • LABECO
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collections >
      • (E)arthly Delights
    • Print >
      • Menagerie
  • News
  • About
    • Biography
    • Artist Mentoring
    • CV
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)

ignition: group exhibition at A Homem Mau

13/5/2026

 
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ignition | A HOMEM MAU

I'm delighted to be exhibiting some of my deliquesce series at the group exhibition ignition curated by CiReine this Wednesday, 13 May, opening at 7pm
​
'Ignition marks the moment when a thought, image, or process catches fire—when latent potential is activated. This spark may emerge from urgency, friction, or crisis, but it is always a catalyst for transformation. Within this series, ignition operates as both method and outcome: the act of making becomes a visible ignition point, while the resulting works exist as traces of that combustion. Process and result are presented as individual yet interconnected works.'


A HOMEM MAU, Rua Gonçalves Crespo 6C, Lisbon

Margins, Cuttings, and Leaves: Traces and Processes

12/5/2026

 
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​Margins, Cuttings, and Leaves: Traces and Processes 
Nina Fraser & Guests: Art & Craft Refúgio


The exhibition Margins, Cuttingss, and Leaves: Traces and Processes stems from the artist residency led by artist Nina Fraser in collaboration with participants of Art & Craft Refúgio, who were invited to revisit their memories and lived experiences through experimentation with materials, using the garden at Jardins do Bombarda as a starting point.
Inspired by processes and methodologies found in nature—including mycelium, understood as a metaphor for connection, transformation, and continuity—the residency approached loss not as disappearance, but as a space for renewal and creation. The traces gathered from the environment became a shared language, giving rise to a collaborative work and a series of individual artist's books, in dialogue with the artist's previous works and with the very creative processes that run through the exhibition.
Amidst margins, cutouts, and layers of material, the exhibition reveals itself as a living territory of memory, gesture, and continuous transformation and artistic creation.

Thursday 14 May, 6.30 - 8.30pm
Loja Jardins do Bombarda, Jardins do Bombarda, Rua Gomes Freire 161, Lisbon

​

Atlas Coletivo - Inventário de uma paisagem

29/4/2026

 
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Atlas Coletivo : Inventário de uma paisagem,
Casa Avenida, Setubal, 16 - 24 April 2026

Happily I was able to participate with a some drawings for the exhibition of the artist book created from the 18 month project devised by Atlas Coletivo (Fernando Brito, Ema Inácio, Humberto Brito and Sérgio Godinho)
​
​The initiative takes the form of an artistic residency grounded in an ongoing research process, aiming to foster reflection on landscape and territory while encouraging participatory artistic creation. The project is structured around the route of the Tejo-Sado Fluvial Canal – an infrastructure planned over approximately 250 years but never realized – establishing a unique relationship between historical archives and contemporary territory.
Based on existing documentation, the exhibition proposes the superimposition of two maps: one of a historical and documentary nature, and another emerging from artistic and experimental research. This second map takes shape as an “atlas of memories of the future,” where symbolic, metaphorical, and sensory dimensions engage with – and challenge – the notion of objectivity.
​
Supported by the Calouste Gulbenkian Foundation, the project also includes a series of six public events along the route between Alcochete and Setúbal, promoting collective engagement and the development of new perspectives on the region’s (sub)urban and rural territories, their history, and their possible futures.

Online exhibition can be viewed here
Photography: Fernando Brito, 2026

GHOSTS | Nina Fraser, Stephen Foster

25/4/2026

 
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GHOSTS | Stephen Foster, Nina Fraser

An exhibition by painter Stephen Foster and multidisciplinary artist Nina Fraser explores the interplay between reality and image, memory and recognition.

Through material gestures and the action of tracing as a repetition of texture - a kind of echo - both artists pursue the presence of something absent: the leaf that isn’t there, a personality transmuting into its background. Vibrant oil paintings converse with delicate rice paper works, proposing that substance is fluid and the mark-making process a spontaneous journey, open to chance. Each practice emerges from an initiating subconscious form, suggesting partially formed ghost-like visions that insist, above all, on being vividly alive. The exhibition features complementary work from Rosa Foster

Sat 25 April - Tue 9 June
Artist Meet and Greet 25
th April 4-6:30pm
Forest Arts Centre, Old Milton Rd, New Milton, BH25 6DS

I t s  a  g a s.  Roaming Room, Bruton

7/2/2026

 
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I t s   a   G a s. 
a collage exhibition with
Aliki Braine
Nina Fraser
Tony Hayward

Venera Kazarova (film)
Andrea V Wright


Venue: ROAMING ROOM, 5, Patwell St, Bruton, Somerset   BA10 OEQ
Opening: 14 Feb | 12 - 5pm
until 8 Mar  |  Fri - Sun 2 - 6pm or 
by appointment [email protected]

Artist in Residence: Art & Craft Refúgio

4/2/2026

 
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Art & Craft Refúgio - Artist Residence 
 ​<margins, cuttings, leaves>
​

Introducing The Garden as Sanctuary, as first Artist in Residence for this program, I open the thematic with an exploration of paper and print—inviting participants to reconsider memory and experience through hands-on art making, participatory rituals, and the deconstruction of personal archives. Drawing on natural methodologies, with fungi as both metaphor and method, participants will reimagine loss not as disappearance but as transformation —emotional, ecological, and communal. 

This year's cycle of Art & Craft Refúgio acknowledges its location inside Jardins do Bombarda, Lisbon's former psychiatric hospital, and draws on the garden as sanctuary as a metaphor for the selected artists working methodology. As a site of slow labour, shared knowledge, and seasonal cycles, the garden offers a framework for making that prioritises process over product, attentiveness over extraction. Within these workshops, art & craft practices become acts of tending—stitching, weaving, shaping, and growing—through which participants can reclaim agency, memory, and embodied knowledge.


5th Feb - 9th April 2026
Thursdays 10.30h - 13h 
Sala de Ensaios, Jardins do Bombarda

I t s   a   G a s  - collage exhibition | postROOM gallery

15/1/2026

 
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I t s   a   G a s. 
​

a collage exhibition with
Aliki Braine / Nina Fraser / Tony Hayward / 
Venera Kazarova (film)
Andrea V Wright


Venue: postROOM, 41 Ecclesbourne Rd, London N1 3AF
Opening: 15 Jan | 6 - 8.30pm
until 7 Feb  |  Thurs - Sat 2 - 6pm 

www.postroom.online | www.roamingroom.com

image: Tony Hayward

a thousand words say a picture

6/1/2026

 
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​TWO PIECES OF PAPER: A Thousand Words Say a Picture
A curatorial investigation from Phil Scott, collage artist and educator

On the occasion of the symposium: 
Too Many Chefs? Curating Emotion, Collaboration, and Imagination
UKS Young Artists’ Society, Keysers gate 1, 0165 Oslo, Norway
17-18 January 2026

(excerpt from the book) A wide range of multidisciplinary artists were invited to take part in the project, with a simple instruction: each artist was asked to submit two images that, when placed together, create a visual conversation - exploring narrative, juxtaposition, or sequence without the use of text. The openness of the invitation has resulted in a wide spectrum of responses, ranging from instinctive and associative image pairings to deliberately art-historical and reflexive gestures. One such contribution mirrors a seventeenth century self-portrait, collapsing temporal distance into a contemporary visual dialogue that questions how identity is constructed, mediated, and interpreted through images of the self. These varied strategies reflect the elasticity of the brief itself: some images turn inward, others outward; some fracture narrative, while others echo it across centuries. Together, they demonstrate that there is no singular way to construct meaning through images, only multiple and shifting conditions through which meaning may emerge.

Featured artists: 
MARK WALLINGER | NINA FRASER | JAMES DAWE | RAMI MAYMON | GERT MOTMANS | PHIL SCOTT | MAÏTÉ JANE | EVA LAKE | MARIO ZOOTS | ELI CRAVEN | NOELIA MORA SOLVEZ | NICHOLAS LOCKYER | ISABEL REITEMEYER | JOSEBA ESKUBI | NATHANIEL WHITCOMB | JACK FELICE | MARK MULRONEY | SHEZAD DAWOOD | ZEINAB SALEH | SITAARA STODEL | CHRISTOPHER GIDEON | ROBERT VOIGTS | JELLE VAN DEN HEEDE | FERANSIS | DANILO BRANDÃO | SIMON MORETTI | OLIVER KOLDING PALM | JOSEPH CARTWRIGHT | JORGE CHAMORRO |SERGEI SVIATCHENKO | PHILIPPE JUSFORGUES | DEANE HODGSON | MIKAEL SIIRILÄ | BROOKE NEWBERRY | NIKO VARTIAINEN | JOHN WHITLOCK | DENNIS BUSCH | MAX-O-MATIC | MIGHTY JOE CASTRO | BILL NOIR | HENRY WARD | CACO NEVES | NICOLAI HOWALT | RICHARD VERGEZ | SILLA SIMONE | MILLIE BARTLETT | PAOLA DCROZ | ANDREW GRASSIE | | LOLA DUPRE

ENCONTROS with Marta Angelozzi

30/11/2025

 
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Encontros

an exhibition by Marta Angelozzi and Nina Fraser, in the Salão da BASE
Venue: A BASE. Oficinas da Escola Manuel da Maia, Campo de Ourique
Date: 10 Dec | 6 - 9pm 


​
"A root, once physically removed from its origin, still carries its history, form, and potential to regenerate or connect in new contexts. It speaks to the paradox of being both disconnected and still capable of forming new attachments. Through a dynamic collaborative project that began in 2024, visual artists Marta Angelozzi and Nina Fraser present experimental drawings developed in response to roots and how they grow, spread and adapt. Mark-making becomes a trace of behaviour, a memory of an encounter that concretises the relations, dynamics and tensions between the artists and their subject matter."

The exhibition is presented with the audiovisual collaboration of André Tasso and is coordinated by Filipa Pestana and Pedro Arrifano.

The opening is part of A BASE’s Christmas Open Studio, which includes a collective exhibition by A BASE resident artists; open studios; and the workshops in Ceramics, Drawing and Painting, Printmaking and Screen Printing. 

Drawing & Painting Research Laboratory -ABASE

14/11/2025

 
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Drawing & Painting Research Laboratory


Watercolor course with guest artist Nina Fraser
Location: ABASE Escola de Arte, Oficinas da Escola Manuel da Maia. Rua Freitas Gazul nº6

Schedule: Wednesdays, 26 November 2025, 3, 10 and 17 December 2025, 10:30 am–1 pm
Book through link
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© COPYRIGHT Nina Fraser 2026. ALL RIGHTS RESERVED.
  • Work
    • 2026 >
      • Ghosts
      • Margins, Cuttings, Leaves
    • 2025 >
      • ENCONTROS
      • LABECO
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collections >
      • (E)arthly Delights
    • Print >
      • Menagerie
  • News
  • About
    • Biography
    • Artist Mentoring
    • CV
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)