Nina Fraser
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Atlas Coletivo - Inventário de uma paisagem

29/4/2026

 
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Atlas Coletivo : Inventário de uma paisagem,
Casa Avenida, Setubal, 16 - 24 April 2026

Happily I was able to participate with a some drawings for the exhibition of the artist book created from the 18 month project devised by Atlas Coletivo (Fernando Brito, Ema Inácio, Humberto Brito and Sérgio Godinho)
​
​The initiative takes the form of an artistic residency grounded in an ongoing research process, aiming to foster reflection on landscape and territory while encouraging participatory artistic creation. The project is structured around the route of the Tejo-Sado Fluvial Canal – an infrastructure planned over approximately 250 years but never realized – establishing a unique relationship between historical archives and contemporary territory.
Based on existing documentation, the exhibition proposes the superimposition of two maps: one of a historical and documentary nature, and another emerging from artistic and experimental research. This second map takes shape as an “atlas of memories of the future,” where symbolic, metaphorical, and sensory dimensions engage with – and challenge – the notion of objectivity.
​
Supported by the Calouste Gulbenkian Foundation, the project also includes a series of six public events along the route between Alcochete and Setúbal, promoting collective engagement and the development of new perspectives on the region’s (sub)urban and rural territories, their history, and their possible futures.

Online exhibition can be viewed here
Photography: Fernando Brito, 2026

Nina Fraser

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© COPYRIGHT Nina Fraser 2026. ALL RIGHTS RESERVED.
  • Work
    • 2026 >
      • Ghosts
      • Margins, Cuttings, Leaves
    • 2025 >
      • ENCONTROS
      • LABECO
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collections >
      • (E)arthly Delights
    • Print >
      • Menagerie
  • News
  • About
    • Biography
    • Artist Mentoring
    • CV
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)