Nina Fraser
  • Work
    • 2025 >
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
    • Print >
      • Menagerie
  • Info
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    • Texts >
      • Undomesticated Ground (text)
      • A Study in Psycho-cybernetics?
      • Home (text)
      • Learning from the bricoleur in times of crisis
      • Taxis Derma (text)
      • Sublime (text)
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Image: Nina Fraser 2025.              

Perception / Finding Ground

This work redefines the mediums of collage, printmaking and drawing through a frottage technique that excavates the magazine page for its material resources. Drawing from a plant orientated form of thinking ‘on its head’ these light box works aim to unsettling our notions of categorization, within the plant world and within artistic disciplines.
Drawn to concepts and methods that derive from the fragmented image, my interest lies in combining them with an instinctive ‘brush’ stroke that manipulates the hierarchy of traditionally separate mediums (painting, printmaking, collage). It is also about the way we make rhizomatic connections and interact with our surroundings. Like fungi that slip through classification systems, the world becomes less of an ordered system, and more of a place of re-exploration. Deleuze and Guattari's rhizome pose an alternative to the hierarchical “tree” structure of power as a radical starting point toward rethinking the relationship between humans and the supporting biosphere. Rather than isolating nature to the symbolic order of structures of thought and polarities, there is an understanding of a perception of the vegetal world as a fundamentally symbiotic system of interrelations between roots, rhizomes and soil. 
» perception (hear oneself breathing) (2025)
​
Frottage (National Geographic pages, beeswax, heat) & watercolour on Japanese rice paper, light box, 49 x 41 x 3 cm 
» perception (on its head) (2025) 
Frottage (National Geographic pages, beeswax, heat) & watercolour on Japanese rice paper, light box, 49 x 41 x 3 cm 
» finding ground  (2024) 
​
Frottage (National Geographic pages, beeswax, heat) on Japanese rice paper, light box - UV Glass, 26 x 32 x 4 cm
Picture
» ​ from collective exhibition: Undomesticated Ground, Studio Seco, Dec 2024
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Nina Fraser

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© COPYRIGHT Nina Fraser 2024. ALL RIGHTS RESERVED.
  • Work
    • 2025 >
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
    • Print >
      • Menagerie
  • Info
    • Bio
    • CV
    • Texts >
      • Undomesticated Ground (text)
      • A Study in Psycho-cybernetics?
      • Home (text)
      • Learning from the bricoleur in times of crisis
      • Taxis Derma (text)
      • Sublime (text)
  • News
  • Artist Mentoring
  • Contact