Nina Fraser
  • Work
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Autumn Leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • Terra Incognita
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
      • Made in China
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
  • Info
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      • A Study in Psycho-cybernetics?
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      • Sublime (text)
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THE ANXIETY OF INTERDISCIPLINARITY

21/9/2022

 
Picture

​The Anxiety of Interdisciplinarity is an exhibition which seeks to reframe printmaking as a site of interdisciplinarity - a testing ground for ‘The important work...done at the surfaces between adjacent disciplines’ (Carter, 1998). Acknowledging interdisciplinarity as a potential site of ambivalence, tension or a fertile ground for exploration and experimentation, International artists in this exhibition respond to this provocation.
​

The hybrid exhibition includes works of differing materials, scale and dimensions across installation, sculpture, sound, moving image, digital and post-digital media. Adjacent to the physical exhibition, an online companion space shares an extended range of works, in parallel to a series of informal artist talks. A digital catalogue, introduced by Dr Véronique Chance, marks the exhibition and encourages an ongoing conversation.

ONLINE EXHIBITOR // Artist Bios


Inteligência Artificial e a Medicina // Artificial Intelligence & Medicine

14/9/2022

 


​Artificial Intelligence & Medicine

 Exhibition: 14 SEP - 18 SEP
European Society of Neuroradiology
45th Annual meeting
The theme 'Artificial Intelligence & Medicine' was set as a creative challenge by Galeria Vera Cruz, in conjunction with the 45th Annual meeting of the European Society of Neuroradiology in Lisbon's International Congress centre.​

Lisbon Congress Centre, Praça das Indústrias, Lisbon

uma nova poesia visual

8/9/2022

 
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uma nova poesia visual
Exhibition opening: 08 SEP 9pm
Continues 09 - 22 SEP Thurs - Sat 2pm - 6pm


Ariana Jouhand /  Barbara Palandeng-Munsel / Catarina Vilaça / Izabelle Louise / Nina Fraser
​

ESTAÇAO Cultural Association,
Old train station of Canelas, 
Rua da Estação 3865-012, Estarreja



​uma nova poesia visual
Exposição Inauguração: 08 SEP 21H
Continua 09 - 22 SEP Quinta - Sab 14h-18H

Ariana Jouhand /  Barbara Palandeng-Munsel / Catarina Vilaça / Izabelle Louise / Nina Fraser
​

ESTAÇAO Associação Cultural,
Antigo Apeadeiro de Canelas, 
Rua da Estação 3865-012, Estarreja

amethyst deceiver

20/5/2022

 
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Collective exhibition with artists 
​
Irit Batsry, Pedro Faria, Nina Fraser, Juliana Matsumura, Tiago Rocha Costa, Ana Sofia Sá, Inês Teles, Natalie Woolf
Curator: the icing room
​
Opening: 20 May 2022 / 18 - 23h 
21 May to 27 May 2022  
Atelier Concorde, Rua Leite de Vasconcelos 43a, 1170-198 Lisboa  
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corporeal gestures

31/3/2022

 
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wrong wrong #20

30/3/2022

 
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​Paola D'Agostino
Things said to silence: silenced things

Wrong Wrong Magazine .20 online
​Portugal, 2022

Portuguese version

Image: 
 «Escape», 2018. Wet-pasted collage, 21 x 30cm

moths drink the tears of sleeping birds - zaratan

26/2/2022

 
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MOTHS DRINK THE TEARS OF SLEEPING BIRDS #7
WHEN | 26 February, 18:00
ENTRY | 3,5€ [monthly member fee]
Moths drink the tears of sleeping birds is a scientific statement and proposition of intent. It forms the starting point for a cycle that explores itinerancy as a mode of practice, an experiment that can be both subtle and fierce. For each edition of the cycle, materials are selected for a screening, into which two artists are invited to intervene using sound, image, installation, performance... How these interventions play out cannot be foreseen. Still, as the moth that hovers for an instant over the bird, everything subsequently disappears, moments of cross-contamination that vanish without trace.
For the seventh edition artists Marcelo Felix and Nina Fraser have chosen to subvert the usual format of the cycle, this time using text and experiments in frottage to create the short film
Curated by: Isobel Atacus
Invited Artists: Marcelo Felix and Nina Fraser
Support: República Portuguesa – Cultura / Direção-Geral das Artes

Artist talk: “From body to earth; mini implosions and sometimes the opposite”

20/1/2022

 
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Friday, February 11th, from 7pm to 8.30pm 
@ O Gabinete de Madame Thao (LX Factory, loft i2-07), Lisbon.

Reflecting upon her ‘circle series’, some of which are featured in the latest exhibition Historias de boudoir, Nina unveils questions and thoughts surrounding her practice in the recent years, touching on upon issues of repair, rebuilding, perception of trauma, mundanity and home, that interweave through her collage and mixed media works on paper.

There will be no entrance fee but you can donate to support OGMT programming 

Cut Me Up Issue 8: guided by instinct

3/1/2022

 
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Cut Me Up Issue 8: Guided by Instinct, curated by Naomi White, is a selection of 18 artworks that explore humans’ complex relationships with animals, and the implications these relationships have on our lives and planet.

In our relationship with animals, there are many contradictions. As John Berger declares in Why Look At Animals, “Animals first entered the imagination as messengers and promises. For example, the domestication of cattle did not begin as a simple prospect of milk and meat. Cattle had magical functions, sometimes oracular, sometimes sacrificial.” We mythologize and revere animals, yet sacrifice, tame, kill and consume them. What does that say about us as a species?

The artists in this issue investigate the dualistic meanings which animals embody and the contradictions in ourselves that this relationship illuminates. Exploring our paradoxical desires to nurture, love, dominate and consume animals, the artists’ responses range from tenderness to concern, from joy to enchantment.

Cut Me Up is a participatory magazine of visual call and response founded by Andrea Burgay. Each issue presents a curated selection of original collage images that will become raw material for reader-artists to respond by cutting, reconfiguring, and transforming them into new artworks, in response to curatorial calls addressing contemporary issues. The newly created responses
form the content of the next issue.

cutmeupmagazine.com

Histórias de boudoir

6/12/2021

 
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​Histórias de boudoir” - collective exhibition by Francisca Carvalho, Nina Fraser, Hoang Nam Viet, Sandrine Llouquet, Florian Song Nguyen, Truc-Anh, Mai Loan Tu and João Vilhena  
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Opening Friday 3rd December
6 - 8pm⠀⠀⠀⠀⠀⠀⠀⠀⠀

O Gabinete de Madame Thao⠀⠀⠀⠀⠀⠀⠀⠀⠀
LX Factory Loft i 2-07 (entrance 2, 2d floor), Rua Rodrigues de Faria, 103, 1300-501 Lisbon⠀⠀⠀⠀⠀⠀⠀⠀⠀

Wed - Fri, 12 - 5pm, Sat & Sun, 12 - 6pm

Image: “Beneath the roots of the mountains”
Watercolor, giclée print collage, 202150 x 50cm 
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© COPYRIGHT 2023. ALL RIGHTS RESERVED.
  • Work
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Autumn Leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • Terra Incognita
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
      • Made in China
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
  • Info
    • Bio
    • CV
    • Texts >
      • A Study in Psycho-cybernetics?
      • Home (text)
      • Taxis Derma (text)
      • Sublime (text)
  • News
    • Upcoming
  • Print
    • Publications
    • Editorial + Covers
    • Limited Edition PRINTS
    • FOLHA
  • Connect
    • Mentoring
    • Collage Working Club
    • Contact