Nina Fraser
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      • Perception / finding ground
    • 2024 >
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    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
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      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
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      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
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      • Abstract Markings
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      • Undomesticated Ground (text)
      • A Study in Psycho-cybernetics?
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      • Learning from the bricoleur in times of crisis
      • Taxis Derma (text)
      • Sublime (text)
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consequential

Consequential was a project to work with collage in a spontaneous and sequential manner; a series of 30 collages created from landscape photos requested by members of the public through open call. One collage was created every day for 30 days. All 30 works were exhibited online and at Harbour Lights public exhibition space in Southampton (UK)  in 2018. 
Day 1: Melukote, State of Karnataka, India 
(2018) handcut collage, 27cm x 22cm
Picture
Photo: Fabiana Melo 
Picture
Day 2: Two Benches 
(2018) handcut collage, 20 x 20cm
Picture
Photo: Anton Clements
Picture
Day 3: Williamsburg Bridge 
(2018) handcut collage,
​
16 x 24cm
​
Photo: Dan Barlow
Picture




Day 4: Castillo de Peñíscola
(2018) handcut collage, 26cm x 23cm
Picture
Photo: Jose Bautista
Picture
Day 5: On a Hill
(2018) handcut collage, 28cm x 35cm
Picture
Photo: Jade Loring
Picture
Day 6: Oarai Tori
(2018) handcut collage, 
​
22cm x 30cm
Picture
Photo: Mark Farmer
Picture
Day 7: 'Miami by Car'
(2018) handcut collage, 
​
27cm x 27cm
Picture
Photo: Cristina Palhim
Picture
Day 8: Mata Atlântica
(2018) handcut collage, 
​
30cm x 40cm
Picture
Photo: Debora Well Herjean
Picture
Day 9: Ribblesdale
(2018) handcut collage,
​30cm x 30cm
Picture
Photo: David Milnes
Picture
Day 10: Work
(2018) handcut collage,
​30cm x 40cm
Picture
Photo: Robert McCracken-Turner
Picture
Day 11: Mount St.Helens
(2018) handcut collage,
​18cm x 15cm
Picture
Photo: Bruno George
Picture
Day 12: Phats
(2018) handcut collage,
​29cm x 26cm
Picture
Photo: Carlos No
Picture
Day 13: SUPing Douro
(2018) handcut collage,
17cm x 15cm
Picture
Photo: Bruno Reimão
Picture
Day 14: Ortiz Mountains Sunset
(2018) handcut collage & gouache,
26cm x 22cm
Picture
Photo: William Pura
Picture
Day 15: Tree
(2018) handcut collage,
20cm x 28cm
Picture
Photo: Sudhir Gaikwad
Picture
Day 16: Lisbon Chimney
(2018) handcut collage,
19cm x 22cm
Picture
Photo: John Vetterlein
Picture
Day 17: Small Town Japan
(2018) handcut collage,
20cm x 28cm
Picture
Photo: Mi Khiet
Picture
Day 18: After the Bustle
(2018) handcut collage,
17cm x 26cm
Picture
Photo: Cody James
Picture
Day 19: You've got me over the top
(2018) handcut collage,
21cm x 28cm
Picture
Photo: Richard Spicer
Picture
Day 20:  River Running
(2018) handcut collage,
31cm x 24cm
Picture
Photo: Shirley Franklin
Picture
Day 21:  Glacier, Kilimanjaro
(2018) handcut collage,
15cm x 26cm
Picture
Photo: Andy Anderson
Picture
Day 22:  River Views 
(2018) handcut collage,
23cm x 16cm
Picture
Photo: Claudia Cordeiro
Picture
Day 23:  Moors 
(2018) handcut collage,
20cm x 21cm
Picture
Photo: Epp Kubu
Picture
Day 24:  Bagan Myanmar 
(2018) handcut collage,
11.5cm x 20cm
Picture
Photo: Steph Bull
Picture
Day 25:  View from Villa san Rocco 
(2018) handcut collage,
23cm x 27cm
Picture
Photo: Marian Hibbs
Picture
Day 26:  Pond de Gard 
(2018) handcut collage,
20cm x 23cm
Picture
Photo: Eileen Wharam
Picture
Day 27: Ouchy on a Sunday Afternoon
(2018) handcut collage,
21cm x 25cm
Picture
Photo: Susan Valli
Picture
Day 28: Colares
(2018) handcut collage,
19cm x 27cm
Picture
Photo: Mary St. George
Picture
Day 29: Picos de Europa Rocks
(2018) handcut collage,
17cm x 28cm
Picture
Photo: Wolter Jonkman
Picture
Day 30: (Purple) light to the sky
(2018) handcut collage,
27cm x 25cm
Picture
Photo: Malwina Chabocka
Picture
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Nina Fraser

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© COPYRIGHT Nina Fraser 2024. ALL RIGHTS RESERVED.
  • Work
    • 2025 >
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
    • Print >
      • Menagerie
  • Info
    • Bio
    • CV
    • Texts >
      • Undomesticated Ground (text)
      • A Study in Psycho-cybernetics?
      • Home (text)
      • Learning from the bricoleur in times of crisis
      • Taxis Derma (text)
      • Sublime (text)
  • News
  • Artist Mentoring
  • Contact