Nina Fraser
  • Work
    • 2026 >
      • Ghosts
      • Margins, Cuttings, Leaves
    • 2025 >
      • ENCONTROS
      • LABECO
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collections >
      • (E)arthly Delights
    • Print >
      • Menagerie
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  • About
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  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)
Rocks (2017) analog collage, 35cm x 22cm
Rocks ii (2017) analog collage, 25cm x 22cm
Rocks iii (2017) analog collage, 27cm x 16cm
Rocks iv (2017) analog collage, 23cm x 17.5cm
Rocks v (2017) analog collage, 22cm x 19cm
Rocks vi (2017) analog collage, 24cm x 15.5cm
Rocks vii (2017) analog collage, 24cm x 21cm
When worlds colide (2017) analog collage, 40cm x 50cm
» Rocks I -VIII / When worlds collide
(2017) analogue collage, variable dimensions

rocks

Combining images from National Geographic with advertising of jewelry, this series of collage opt for simplicity in their form, aligning together the raw material and the polished product, ultimately questioning what we perceive to be more precious. 

Nina Fraser

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© COPYRIGHT Nina Fraser 2026. ALL RIGHTS RESERVED.
  • Work
    • 2026 >
      • Ghosts
      • Margins, Cuttings, Leaves
    • 2025 >
      • ENCONTROS
      • LABECO
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collections >
      • (E)arthly Delights
    • Print >
      • Menagerie
  • News
  • About
    • Biography
    • Artist Mentoring
    • CV
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)