Nina Fraser
  • Work
    • 2025 >
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
      • Circle series
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      • Taxis Derma
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      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
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      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
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      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
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    • Texts >
      • Undomesticated Ground (text)
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      • Learning from the bricoleur in times of crisis
      • Taxis Derma (text)
      • Sublime (text)
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Rocks (2017) analog collage, 35cm x 22cm
Rocks ii (2017) analog collage, 25cm x 22cm
Rocks iii (2017) analog collage, 27cm x 16cm
Rocks iv (2017) analog collage, 23cm x 17.5cm
Rocks v (2017) analog collage, 22cm x 19cm
Rocks vi (2017) analog collage, 24cm x 15.5cm
Rocks vii (2017) analog collage, 24cm x 21cm
When worlds colide (2017) analog collage, 40cm x 50cm
» Rocks I -VIII / When worlds collide
(2017) analogue collage, variable dimensions

rocks

Combining images from National Geographic with advertising of jewelry, this series of collage opt for simplicity in their form, aligning together the raw material and the polished product, ultimately questioning what we perceive to be more precious. 
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Nina Fraser

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© COPYRIGHT Nina Fraser 2024. ALL RIGHTS RESERVED.
  • Work
    • 2025 >
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • (E)arthly Delights
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold II
      • The Centre Cannot Hold
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
    • Print >
      • Menagerie
  • Info
    • Bio
    • CV
    • Texts >
      • Undomesticated Ground (text)
      • A Study in Psycho-cybernetics?
      • Home (text)
      • Learning from the bricoleur in times of crisis
      • Taxis Derma (text)
      • Sublime (text)
  • News
  • Artist Mentoring
  • Contact