Nina Fraser
  • Work
    • 2025 >
      • encounters
      • LABECO
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collage series >
      • Circle series
      • Menagerie
      • [framing illusive]
      • ROCKS
      • Fragments
    • Print >
      • Menagerie
  • News
  • Connect
    • Biography
    • Artist Mentoring
    • Substack
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)

islands

Picture
Picture
»Contemplating Islands I (2018)
​Indian Ink, sand, sea water, billboard posters
29.5 x 40 cm
​
»Contemplating Islands II (2018)
​Indian Ink, sand, sea water, billboard posters
29.5 x 40 cm
​
Drawing in Landscape
Cascais, Portugal, 2018

Inspired by contrast, I seek places that sit on the edge of nature and metropolis, where one would find a natural source of water. Created as a direct result of first hand immersion with the landscape, the drawings become an active engagement with the physicality of the land. Acting through an approach of unconscious spontaneity, elements of the surroundings are incorporated into the drawings, small piles of sand form islands on the paper. It was around this time I was contemplating the political situation of my home country and questioning my own notion of boundaries. From what became an exercise in process and reflection, outside of the studio setting, I discovered the notion of chance directs its narrative throughout my work, and that is where I find the connections between what often feel like disparate parts. 
Photos: Alex van der Kruijf
Picture
Picture
»Drawing (Islands) (2018)
indian Ink, pen, sand, sea water
21cm x 29cm
»Drawing III (Islands)  (2018)
​indian Ink, sand, sea water
21cm x 29cm
Picture
Picture

Clockwise from top:
» Drawing VII - IX  (2018)
indian Ink, sand, sea water
variable dimensions
« PREVIOUS
NEXT »

Nina Fraser

Portfolio
​About
Substack
Mentoring
​News
Mailing list
Contact
Instagram



​
© COPYRIGHT Nina Fraser 2025. ALL RIGHTS RESERVED.
  • Work
    • 2025 >
      • encounters
      • LABECO
      • Perception / finding ground
    • 2024 >
      • Deliquesce
      • Vegetal matters
    • 2023 >
      • mycelium
      • a study in psycho-cybernetics
      • CALENDÁRIO AVULSO
      • Winter leaves
      • Unconnected Yet
    • 2022 >
      • The Anxiety of Interdisciplinarity
      • Unconscionable map
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • tales of turbulence and tulips
    • 2020 >
      • The Garden
      • Found Landscapes
    • 2019 >
      • Taxis Derma
      • QUAL Paisagem
      • Sublime
      • The Centre Cannot Hold II
    • > 2017 >
      • Bag Forest
      • what might have been simply displaced
      • CHAOS &INFUSION
      • Made in China
    • Collage series >
      • Circle series
      • Menagerie
      • [framing illusive]
      • ROCKS
      • Fragments
    • Print >
      • Menagerie
  • News
  • Connect
    • Biography
    • Artist Mentoring
    • Substack
  • Texts
    • Substack
    • Undomesticated Ground (text)
    • A Study in Psycho-cybernetics?
    • Home (text)
    • Learning from the bricoleur in times of crisis
    • Taxis Derma (text)
    • Sublime (text)