Nina Fraser
  • Work
    • 2022 >
      • a study in psycho-cybernetics
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • Terra Incognita
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • Found Landscapes
      • The Garden
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold
      • The Centre Cannot Hold II
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • Scrunched up paper
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
      • Made in China
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
    • Other >
      • (E)arthly Delights
  • Info
    • Bio
    • CV
    • Texts >
      • Home (text)
      • Taxis Derma (text)
      • Sublime (text)
    • Contact
  • News
    • Upcoming
    • Collage Working Club
  • Print
    • Publications
    • Editorial + Covers
    • Limited Edition PRINTS
Picture
Picture
Picture
» FLYGA FLADDRA  (2018)
        found box, paint, imitation gold leaf, light, found stand,
Variable Dimension

​FLYGA FLADDRA

Re-purposing unrecognisable objects discarded in my local area, allows me a brazen freedom to re-imagine their life as something grander. Elevating the status of the object to that of myth, endowing it with magic powers, became my intention for this sculpture and for my own circumstance. Reminded of Icarus, the kit is always there for purposeful flight, but the invariable danger remains -   be careful of the suns power. Appropriating the Swedish language, I explore the re-contextualization of foreign words, nodding toward our furniture buying habits and desire to flat-pack our lives. 

Exhibition: Sublime, MUTE Gallery, Lisbon, 2019
« PREVIOUS
NEXT »

Nina Fraser

Portfolio
​
Info
CV
Workshops
Mailing list
​News
​Print
Contact
Picture
© COPYRIGHT 2023. ALL RIGHTS RESERVED.
  • Work
    • 2022 >
      • a study in psycho-cybernetics
      • uma nova poesia visual
      • AMETHYST DECEIVER
      • Moths drink the tears of sleeping birds
    • 2021 >
      • Home
      • Terra Incognita
      • tales of turbulence and tulips
      • Circle series
    • 2020 >
      • Found Landscapes
      • The Garden
    • 2019 >
      • Taxis Derma
      • Menagerie
      • QUAL Paisagem
      • Winter Sunrise
      • Sublime
      • The Centre Cannot Hold
      • The Centre Cannot Hold II
    • 2018 >
      • Caught up in the field
      • Disconnected Event
      • Scrunched up paper
      • FLYGA FLADDRA
      • Consequential
    • 2017 >
      • Shop Magazine
      • [framing illusive]
      • ROCKS
      • Bag Forest
    • > 2016 >
      • what might have been simply displaced
      • CHAOS &INFUSION
      • (un)form
      • Fragments
      • Made in China
    • Drawing >
      • for the time being
      • Still, time
      • BODY & PLACE
      • Expanded Landscape
      • Islands
      • Abstract Markings
    • Other >
      • (E)arthly Delights
  • Info
    • Bio
    • CV
    • Texts >
      • Home (text)
      • Taxis Derma (text)
      • Sublime (text)
    • Contact
  • News
    • Upcoming
    • Collage Working Club
  • Print
    • Publications
    • Editorial + Covers
    • Limited Edition PRINTS