Unconnected Yet: An Internation Exhibition in Kolkata, India |
Unconnected Yet is an exhibition about the junction between things—creativity that explores a combination of art and science or cross-curricular inquiry. It explores art that points to the gap: things to be connected, something to be spanned, a subject to better understand, an unexperienced phenomenon, an unnamed or unseen thing, something that has not yet occurred, or something unexplainable. Artists were asked to “Imagine the world you want to live in as it yet could be. What would you connect if you could?” Unconnected Yet assembles the work of 64 collage-based artists from 10 countries via printed facsimiles of the artwork selected. Unconnected Yet links the art and science communities of Boston, Kolkata, and beyond, bringing art from near and far to five galleries at the Academy of Fine Arts in Kolkata, India. Opening Reception, January 16, 2023 4 - 7 pm The Virtual Exhibition can be viewed here You can also Purchase the Catalogue |
“1” is a group exhibition featuring works by André Almeida e Sousa, Luís Almeida, Constança Arouca & Madalena Parreira, Francisca Carvalho, Nina Fraser, Run Jiang, Le Phi Long, Florian Song Nguyen, Bertrand Peret, Thao Nguyen Phan, Pedro Proença, Quentin Spohn, Truc-Anh and Mai-Loan Tu and celebrating the 1st anniversary of the gallery. The exhibition will open on Friday 21 October 2022 at 6 pm and will run until January 2023.
(Flyer picture: Thao Nguyen Phan, “Alphabet in Containers 03” (detail), watercolor on paper, 2017)
(Flyer picture: Thao Nguyen Phan, “Alphabet in Containers 03” (detail), watercolor on paper, 2017)
The Anxiety of Interdisciplinarity is an exhibition which seeks to reframe printmaking as a site of interdisciplinarity - a testing ground for ‘The important work...done at the surfaces between adjacent disciplines’ (Carter, 1998). Acknowledging interdisciplinarity as a potential site of ambivalence, tension or a fertile ground for exploration and experimentation, International artists in this exhibition respond to this provocation. The hybrid exhibition includes works of differing materials, scale and dimensions across installation, sculpture, sound, moving image, digital and post-digital media. Adjacent to the physical exhibition, an online companion space shares an extended range of works, in parallel to a series of informal artist talks. A digital catalogue, introduced by Dr Véronique Chance, marks the exhibition and encourages an ongoing conversation. ONLINE EXHIBITOR // Artist Bios |
| Artificial Intelligence & Medicine Exhibition: 14 SEP - 18 SEP European Society of Neuroradiology 45th Annual meeting The theme 'Artificial Intelligence & Medicine' was set as a creative challenge by Galeria Vera Cruz, in conjunction with the 45th Annual meeting of the European Society of Neuroradiology in Lisbon's International Congress centre. Lisbon Congress Centre, Praça das Indústrias, Lisbon |
uma nova poesia visual Exhibition opening: 08 SEP 9pm Continues 09 - 22 SEP Thurs - Sat 2pm - 6pm Ariana Jouhand / Barbara Palandeng-Munsel / Catarina Vilaça / Izabelle Louise / Nina Fraser ESTAÇAO Cultural Association, Old train station of Canelas, Rua da Estação 3865-012, Estarreja | uma nova poesia visual Exposição Inauguração: 08 SEP 21H Continua 09 - 22 SEP Quinta - Sab 14h-18H Ariana Jouhand / Barbara Palandeng-Munsel / Catarina Vilaça / Izabelle Louise / Nina Fraser ESTAÇAO Associação Cultural, Antigo Apeadeiro de Canelas, Rua da Estação 3865-012, Estarreja |
Collective exhibition with artists Irit Batsry, Pedro Faria, Nina Fraser, Juliana Matsumura, Tiago Rocha Costa, Ana Sofia Sá, Inês Teles, Natalie Woolf Curator: the icing room Opening: 20 May 2022 / 18 - 23h 21 May to 27 May 2022 Atelier Concorde, Rua Leite de Vasconcelos 43a, 1170-198 Lisboa |
Paola D'Agostino Things said to silence: silenced things Wrong Wrong Magazine .20 online Portugal, 2022 Portuguese version Image: «Escape», 2018. Wet-pasted collage, 21 x 30cm |
MOTHS DRINK THE TEARS OF SLEEPING BIRDS #7
WHEN | 26 February, 18:00
ENTRY | 3,5€ [monthly member fee]
Moths drink the tears of sleeping birds is a scientific statement and proposition of intent. It forms the starting point for a cycle that explores itinerancy as a mode of practice, an experiment that can be both subtle and fierce. For each edition of the cycle, materials are selected for a screening, into which two artists are invited to intervene using sound, image, installation, performance... How these interventions play out cannot be foreseen. Still, as the moth that hovers for an instant over the bird, everything subsequently disappears, moments of cross-contamination that vanish without trace.
For the seventh edition artists Marcelo Felix and Nina Fraser have chosen to subvert the usual format of the cycle, this time using text and experiments in frottage to create the short film
Curated by: Isobel Atacus
Invited Artists: Marcelo Felix and Nina Fraser
Support: República Portuguesa – Cultura / Direção-Geral das Artes
WHEN | 26 February, 18:00
ENTRY | 3,5€ [monthly member fee]
Moths drink the tears of sleeping birds is a scientific statement and proposition of intent. It forms the starting point for a cycle that explores itinerancy as a mode of practice, an experiment that can be both subtle and fierce. For each edition of the cycle, materials are selected for a screening, into which two artists are invited to intervene using sound, image, installation, performance... How these interventions play out cannot be foreseen. Still, as the moth that hovers for an instant over the bird, everything subsequently disappears, moments of cross-contamination that vanish without trace.
For the seventh edition artists Marcelo Felix and Nina Fraser have chosen to subvert the usual format of the cycle, this time using text and experiments in frottage to create the short film
Curated by: Isobel Atacus
Invited Artists: Marcelo Felix and Nina Fraser
Support: República Portuguesa – Cultura / Direção-Geral das Artes
Friday, February 11th, from 7pm to 8.30pm @ O Gabinete de Madame Thao (LX Factory, loft i2-07), Lisbon. Reflecting upon her ‘circle series’, some of which are featured in the latest exhibition Historias de boudoir, Nina unveils questions and thoughts surrounding her practice in the recent years, touching on upon issues of repair, rebuilding, perception of trauma, mundanity and home, that interweave through her collage and mixed media works on paper. There will be no entrance fee but you can donate to support OGMT programming |